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      <image:title>Synaesthetic - Deconstructing the Domestic Soundscape: Walls that Deserve Better - Make it stand out</image:title>
      <image:caption>Sunn O))) Black One</image:caption>
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      <image:caption>The Residents Eskimo</image:caption>
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      <image:title>Synaesthetic - Deconstructing the Domestic Soundscape: Walls that Deserve Better - Make it stand out</image:title>
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      <image:title>Synaesthetic - Reid Miles: The Blue Note Maestro Who Painted Jazz in Colors - Make it stand out</image:title>
      <image:caption>Herbie Hancock's Takin' Off album cover</image:caption>
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      <image:title>Synaesthetic - Reid Miles: The Blue Note Maestro Who Painted Jazz in Colors - Make it stand out</image:title>
      <image:caption>John Coltrane's Blue Train album cover</image:caption>
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      <image:title>Synaesthetic - Reid Miles: The Blue Note Maestro Who Painted Jazz in Colors - Make it stand out</image:title>
      <image:caption>Art Blakey's A Night in Birdland album cover</image:caption>
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      <image:title>Synaesthetic - Reid Miles: The Blue Note Maestro Who Painted Jazz in Colors - Make it stand out</image:title>
      <image:caption>Horace Silver's Horace Silver and the Jazz Messengers album cover</image:caption>
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    <loc>https://syneonline.com/synaesthetic/afrofutures-and-album-covers</loc>
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    <lastmod>2020-12-04</lastmod>
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      <image:title>Synaesthetic - Afrofutures and Album Covers</image:title>
      <image:caption>An entourage from Wakanda exits a transport ship. (From Marvel’s Black Panther, 2018)</image:caption>
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      <image:title>Synaesthetic - Afrofutures and Album Covers</image:title>
      <image:caption>Sun Ra</image:caption>
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      <image:title>Synaesthetic - Afrofutures and Album Covers</image:title>
      <image:caption>George Clinton emerges from the mothership. P-Funk’s “mothership” was a regular stage prop in their live shows during the 1970s. It now is housed at the National Museum of African American History and Culture in Washington, D.C.</image:caption>
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  <url>
    <loc>https://syneonline.com/synaesthetic/did-the-ipod-suck</loc>
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    <lastmod>2020-11-27</lastmod>
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      <image:title>Synaesthetic - Did the iPod Suck? (or: Metaphor and Musical Experience)</image:title>
      <image:caption>iPod advertisement ca. 2001</image:caption>
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      <image:title>Synaesthetic - Did the iPod Suck? (or: Metaphor and Musical Experience)</image:title>
      <image:caption>Cognitive linguist George Lakoff (b. 1941)</image:caption>
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      <image:title>Synaesthetic - Did the iPod Suck? (or: Metaphor and Musical Experience)</image:title>
      <image:caption>Photo by Zak Sakata</image:caption>
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      <image:title>Synaesthetic - Did the iPod Suck? (or: Metaphor and Musical Experience)</image:title>
      <image:caption>Photo by Travis Yewell</image:caption>
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    <loc>https://syneonline.com/synaesthetic/can-album-cover-fonts-change-how-you-hear-the-music</loc>
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    <lastmod>2020-11-25</lastmod>
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      <image:title>Synaesthetic - Can album cover fonts change how you hear the music?</image:title>
      <image:caption>Photo by Kristian Strand</image:caption>
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      <image:title>Synaesthetic - Can album cover fonts change how you hear the music?</image:title>
      <image:caption>Photo by Danica Tanjutco</image:caption>
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    <image:image>
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      <image:title>Synaesthetic - Can album cover fonts change how you hear the music?</image:title>
      <image:caption>Photo by Aditya Chinchure</image:caption>
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      <image:title>Synaesthetic - Can album cover fonts change how you hear the music?</image:title>
      <image:caption>Table from: Venkatesan, T., Wang, Q. J., &amp; Spence, C. (2020, August 27). Does the Typeface on Album Cover Influence Expectations and Perception of Music?. Psychology of Aesthetics, Creativity, and the Arts. Advance online publication. http://dx.doi.org/10.1037/aca0000330</image:caption>
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    <lastmod>2020-11-26</lastmod>
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      <image:title>Synaesthetic - How Kahil El’Zabar asks us to rehear America</image:title>
      <image:caption>Cover of Kahil El’Zabar’s America the Beautiful (Spritimuse, 2020). Artwork by Nep Sidhu.</image:caption>
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      <image:title>Synaesthetic - How Kahil El’Zabar asks us to rehear America</image:title>
      <image:caption>Kahil El’Zabar in 2008 Photograph by Sheldon (Shelly) Levy, Buffalo, NY, USA - CC BY 2.0,</image:caption>
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    <lastmod>2020-11-06</lastmod>
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      <image:title>Synaesthetic - Springsteen and Campaign Patriotism</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1604690350744-QAWN5SD50MU6KTO1W1Y2/%27David%27_by_Michelangelo_Fir_JBU002.jpg</image:loc>
      <image:title>Synaesthetic - Springsteen and Campaign Patriotism</image:title>
      <image:caption>Michelangelo’s David (1501)</image:caption>
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      <image:title>Synaesthetic - Springsteen and Campaign Patriotism</image:title>
      <image:caption>John Wayne in Stagecoach (1939)</image:caption>
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    <loc>https://syneonline.com/synaesthetic/pandemic-aesthetics</loc>
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    <lastmod>2020-10-30</lastmod>
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      <image:title>Synaesthetic - Pandemic Aesthetics</image:title>
      <image:caption>Young Dolph, Gelato (Paper Route Empire, 2017)</image:caption>
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      <image:title>Synaesthetic - Pandemic Aesthetics</image:title>
      <image:caption>Gelato masked cover (2020)</image:caption>
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      <image:title>Synaesthetic - Pandemic Aesthetics</image:title>
      <image:caption>DaBaby, BLAME IT ON BABY (Interscope, 2020)</image:caption>
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      <image:title>Synaesthetic - Pandemic Aesthetics</image:title>
      <image:caption>Busta Rhymes Extinction Level Event 2: The Wrath of God (Conglomerate Entertainment, 2020)</image:caption>
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    <loc>https://syneonline.com/synaesthetic/the-visual-aesthetics-of-the-parental-advisory-label</loc>
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    <lastmod>2020-10-23</lastmod>
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      <image:title>Synaesthetic - The Visual Aesthetics of the Parental Advisory Label</image:title>
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      <image:title>Synaesthetic - The Visual Aesthetics of the Parental Advisory Label</image:title>
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      <image:title>Synaesthetic - The Visual Aesthetics of the Parental Advisory Label</image:title>
      <image:caption>The Music Resource Center’s “Filthy Fifteen” list from 1985 with their suggested rating system</image:caption>
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      <image:title>Synaesthetic - The Visual Aesthetics of the Parental Advisory Label</image:title>
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      <image:title>Synaesthetic - The Visual Aesthetics of the Parental Advisory Label</image:title>
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      <image:title>Synaesthetic - The Visual Aesthetics of the Parental Advisory Label</image:title>
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      <image:title>Synaesthetic - The Visual Aesthetics of the Parental Advisory Label</image:title>
      <image:caption>Ice-T’s parody of the parental advisory sticker. (Iceburg, Sire Records, 1989)</image:caption>
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      <image:title>Synaesthetic - The Visual Aesthetics of the Parental Advisory Label</image:title>
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  <url>
    <loc>https://syneonline.com/synaesthetic/hipgnosis-and-the-classic-lp-cover</loc>
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    <lastmod>2020-10-23</lastmod>
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      <image:title>Synaesthetic - Hipgnosis and the Classic LP Cover</image:title>
      <image:caption>Hipgnosis’s cover for Dark Side of the Moon by Pink Floyd (1973)</image:caption>
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    <image:image>
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      <image:title>Synaesthetic - Hipgnosis and the Classic LP Cover</image:title>
      <image:caption>Hipgnosis’s cover for Houses of Holy by Led Zeppelin (Atlantic, 1973)</image:caption>
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    <image:image>
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      <image:title>Synaesthetic - Hipgnosis and the Classic LP Cover</image:title>
      <image:caption>Hipgnosis’s cover for Pieces of Eight by Styx (A&amp;M, 1978)</image:caption>
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    <image:image>
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      <image:title>Synaesthetic - Hipgnosis and the Classic LP Cover</image:title>
      <image:caption>Hipgnosis’s cover for The Lamb Lies Down on Broadway by Genesis (Charisma, 1974)</image:caption>
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    <image:image>
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      <image:title>Synaesthetic - Hipgnosis and the Classic LP Cover</image:title>
      <image:caption>Hipgnosis’s cover for Peter Gabriel’s third self-titled album, aka “Melt” (Charisma, 1980)</image:caption>
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    <image:image>
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      <image:title>Synaesthetic - Hipgnosis and the Classic LP Cover</image:title>
      <image:caption>Hipgnosis’s cover for High ‘n’ Dry by Def Leppard (Vertigo, 1981)</image:caption>
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    <image:image>
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      <image:title>Synaesthetic - Hipgnosis and the Classic LP Cover</image:title>
      <image:caption>Hipgnosis’s cover for Technical Ecstasy by Black Sabbath (Vertigo, 1976)</image:caption>
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  <url>
    <loc>https://syneonline.com/synaesthetic/d6rua7xpwf8egt4elb4d4xp6tlercb</loc>
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    <lastmod>2020-10-23</lastmod>
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      <image:title>Synaesthetic - Death and Romance: The Shared Cover Art of Classical and Metal</image:title>
      <image:caption>“Man and Woman Contemplating the Moon” oil on canvas by Caspar David Friedrich, c. 1820</image:caption>
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      <image:title>Synaesthetic - Death and Romance: The Shared Cover Art of Classical and Metal</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1602262794565-39U17RPGXBQKZC57RLWS/R-13691759-1559665777-1266.jpeg.jpg</image:loc>
      <image:title>Synaesthetic - Death and Romance: The Shared Cover Art of Classical and Metal</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1602262575299-TLGBJ9L6W334A5VOVPX9/R-3130750-1375139274-3644.jpeg.jpg</image:loc>
      <image:title>Synaesthetic - Death and Romance: The Shared Cover Art of Classical and Metal</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1602263486127-4K1U0W23VE6GZBV9H3C3/R-2107573-1390460802-9904.jpeg.jpg</image:loc>
      <image:title>Synaesthetic - Death and Romance: The Shared Cover Art of Classical and Metal</image:title>
      <image:caption>Dusk’s self titled album (Cyber Music, 1994)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1602263565790-DUPWIPOWDU8FU5IX6PUJ/R-3510524-1395490239-2961.jpeg.jpg</image:loc>
      <image:title>Synaesthetic - Death and Romance: The Shared Cover Art of Classical and Metal</image:title>
      <image:caption>Divina Enema, (Eldritch Music, 2001)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1602263524554-4XF6F07DRVPB7E743EGD/image-asset.jpeg</image:loc>
      <image:title>Synaesthetic - Death and Romance: The Shared Cover Art of Classical and Metal</image:title>
      <image:caption>Mystic Charm’s single “Lost Empire” (Shiver Records, 1993)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1602264184655-SPB88BUHQU920DFTUE7T/Caspar_David_Friedrich_-_Abtei_im_Eichwald_-_Google_Art_Project.jpg</image:loc>
      <image:title>Synaesthetic - Death and Romance: The Shared Cover Art of Classical and Metal</image:title>
      <image:caption>“Abbey in the Oakwood,” oil on canvas Caspar David Freidrich” Abby n</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://syneonline.com/synaesthetic/the-white-album-and-you</loc>
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    <lastmod>2020-10-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1601665582039-VZ3XPT7SSCBPWHN64W84/mbid-ade577f6-6087-4a4f-8e87-38b0f8169814-15153019132.jpg</image:loc>
      <image:title>Synaesthetic - The White Album and You</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1601665575320-GZQQZ7E9LX1LR1Q9UAAE/TheBeatles-RubberSoul_original.jpg</image:loc>
      <image:title>Synaesthetic - The White Album and You</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1601665566011-YTYU6BVZITIH4NV55ND0/Sgt.-Pepper%E2%80%99s-Lonely-Hearts-Club-Band-scaled.jpg</image:loc>
      <image:title>Synaesthetic - The White Album and You</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1601665551334-JD5E9MDAAS2BR2BQ4ZIF/BIThLNE-Vuvv3_AFolgKxJxQwh2jgXZ3CueXOUted20.png.jpeg</image:loc>
      <image:title>Synaesthetic - The White Album and You</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://syneonline.com/synaesthetic/visualizing-musical-style-colors</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-25</lastmod>
  </url>
  <url>
    <loc>https://syneonline.com/synaesthetic/visualizing-musical-style-images-of-people</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-25</lastmod>
  </url>
  <url>
    <loc>https://syneonline.com/synaesthetic/sights-and-sounds-in-the-history-of-black-american-music-part-3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1599855613181-3TZY13WBB93LLHB6CLRM/DtGLawSXoAA7GEM.jpg</image:loc>
      <image:title>Synaesthetic - Sights and Sounds in the History of Black American Music (Part 3)</image:title>
      <image:caption>Berry Gordy in front of the Motown recording studio “Hitsville U.S.A.”, Detroit, MI.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1599853538828-1ADITJJBDJKPALZ2Z6X4/The_Marvelettes_1963.jpg</image:loc>
      <image:title>Synaesthetic - Sights and Sounds in the History of Black American Music (Part 3)</image:title>
      <image:caption>The Marvelettes, 1963 publicity photo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1599856311837-BPKU26VLAMEZ3916AJ21/nina-simone-black-gold.1280x1280.jpg</image:loc>
      <image:title>Synaesthetic - Sights and Sounds in the History of Black American Music (Part 3)</image:title>
      <image:caption>Nina Simone, Black Gold (RCA, 1970)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1599863261150-WDM3W6O6P2EJ44ZEJVA4/download.jpeg</image:loc>
      <image:title>Synaesthetic - Sights and Sounds in the History of Black American Music (Part 3)</image:title>
      <image:caption>James Brown “I’m Black and I’m Proud” button, 1968</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1599858082943-5WQWYUHZ3W6YNUAAQG6B/4mblp222-large__83337.1554921737.jpg</image:loc>
      <image:title>Synaesthetic - Sights and Sounds in the History of Black American Music (Part 3)</image:title>
      <image:caption>Isaac Hayes, Black Moses (Enterprise, 1971)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1599858106849-YBA82FS462U0BFQH9X54/IMG_7235%2Bcopy.jpg</image:loc>
      <image:title>Synaesthetic - Sights and Sounds in the History of Black American Music (Part 3)</image:title>
      <image:caption>Black Moses gatefold</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1599858822834-WBU2WD2N516GG6QZ3FHX/public-enemy-cover_custom-ea2c5d2a89bf9f36efc035a4d1d819b8bc764155.jpg</image:loc>
      <image:title>Synaesthetic - Sights and Sounds in the History of Black American Music (Part 3)</image:title>
      <image:caption>Public Enemy, It Takes a Nation of Millions to Hold Us Back (Def Jam, 1988)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://syneonline.com/synaesthetic/sights-and-sounds-in-the-history-of-black-american-music-part-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1599260471145-KM05KZP3MB5X7B3HYUSJ/Census_1900_Percent_Black.png</image:loc>
      <image:title>Synaesthetic - Sights and Sounds in the History of Black American Music (Part 2)</image:title>
      <image:caption>1900 Census map of U.S. Black population.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1599259712217-CZHWLNQHWYO3TC2EUTWE/R-1658659-1534387752-9840.jpeg.jpg</image:loc>
      <image:title>Synaesthetic - Sights and Sounds in the History of Black American Music (Part 2)</image:title>
      <image:caption>A-side label of Heebie Jeebies/Muskrat Ramble (Okeh, 1926). This was the era before cover art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1599259762440-Z1UNC7FTK1GWC48JKXM7/R-1658659-1534387752-2827.jpeg-2.jpg</image:loc>
      <image:title>Synaesthetic - Sights and Sounds in the History of Black American Music (Part 2)</image:title>
      <image:caption>B-side label of Heebie Jeebies/Muskrat Ramble (Okeh, 1926)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1599254050131-IRPQWKJA7W0YIONRJ8VH/1544.jpeg</image:loc>
      <image:title>Synaesthetic - Sights and Sounds in the History of Black American Music (Part 2)</image:title>
      <image:caption>Cover of the OKeh “Race Records” catalogue, ca. 1926-1930 (Library of Congress). It is worth noting that there is significant overlap between the depiction in this illustration and other racist caricatures in advertisements and cartoons from the period (e.g., huge eyes and exaggerated lips).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1599260057315-69W2U4YSOWN40F0L9UW6/AndersonArmstrongHotFive.jpg</image:loc>
      <image:title>Synaesthetic - Sights and Sounds in the History of Black American Music (Part 2)</image:title>
      <image:caption>“Louis Armstrong’s Hot Five”, promotional photograph ca. 1926</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1599259502100-ZNGUFKYEYV8POEK462ZX/71SFuSA9lrL._SL1500_.jpg</image:loc>
      <image:title>Synaesthetic - Sights and Sounds in the History of Black American Music (Part 2)</image:title>
      <image:caption>Cover of Satchmo the Great (Columbia, 1957)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://syneonline.com/synaesthetic/sights-and-sounds-in-the-history-of-black-american-music-part-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1598648912416-JGLRIA43SFHAIW7KO6ZZ/johnny-tremain-movie-poster-1957-1020560824.jpg</image:loc>
      <image:title>Synaesthetic - Sights and Sounds in the History of Black American Music (Part 1)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1598649625031-Q6RA9CWTK8YFZUHG0ZW2/rcbutler_1366_large.jpg</image:loc>
      <image:title>Synaesthetic - Sights and Sounds in the History of Black American Music (Part 1)</image:title>
      <image:caption>Cover to the sheet music collection The Celebrated Negro Melodies, as sung by the Virginia Minstrels (1843).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1598650529194-N2AORZV4RL6HVG7B5DRO/16793688.jpg</image:loc>
      <image:title>Synaesthetic - Sights and Sounds in the History of Black American Music (Part 1)</image:title>
      <image:caption>Fisk Jubilee Singers England Tour Poster (ca. 1885)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://syneonline.com/synaesthetic/from-steinweiss-to-spotify-did-digital-kill-album-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1598014596637-LPJ6UY0POOOW6T1W0XV3/1089522.jpg</image:loc>
      <image:title>Synaesthetic - From Steinweiss to Spotify: Did Digital Kill Album Art?</image:title>
      <image:caption>A young Alex Steinweiss drafting an album cover.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1598014715782-B3VNWJT0C0SY5DXUKWTR/album_large_123693_59e08437c1cd1.jpg</image:loc>
      <image:title>Synaesthetic - From Steinweiss to Spotify: Did Digital Kill Album Art?</image:title>
      <image:caption>Steinweiss for Paul Robeson’s Songs of Free Men (Columbia, 1942)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1598014942572-UQIKXK6HN7QIVB22XM4X/STEINWEISS2-obit-jumbo.jpg</image:loc>
      <image:title>Synaesthetic - From Steinweiss to Spotify: Did Digital Kill Album Art?</image:title>
      <image:caption>Steinweiss for Andre Kostelanetz’s recording of Gershwin’s Rhapsody in Blue (Columbia, 1942)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1598015475262-UZHTYUA17FYVVNMVH5WY/beethoven_steinweiss.jpg</image:loc>
      <image:title>Synaesthetic - From Steinweiss to Spotify: Did Digital Kill Album Art?</image:title>
      <image:caption>Ok, does this look familiar to anybody else? Steinweiss for the New York Philharmonic’s recording of Beethoven’s Piano Concerto No. 5 in E-flat major (Columbia, 1942) (31 years before Dark Side of the Moon)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1598013227278-1F607YI1ESPLPGLOYUKD/d16iw4p-aeb77976-5870-44a9-8be8-c43a2bf879c4.png</image:loc>
      <image:title>Synaesthetic - From Steinweiss to Spotify: Did Digital Kill Album Art?</image:title>
      <image:caption>2000s Limewire screenshot. Anybody else remember this?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1598013571613-CIJNULIFFX01HILWJIB6/brett-jordan-bjG3hOb4LOY-unsplash.jpg</image:loc>
      <image:title>Synaesthetic - From Steinweiss to Spotify: Did Digital Kill Album Art?</image:title>
      <image:caption>Photo by Brett Jordan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1598014321863-GNROSVG5Z508BX6G08LW/mildly-useful-N_xjrdKZPkw-unsplash.jpg</image:loc>
      <image:title>Synaesthetic - From Steinweiss to Spotify: Did Digital Kill Album Art?</image:title>
      <image:caption>Photo by Mildly Useful</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://syneonline.com/synaesthetic/how-record-collections-make-our-identity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1597348609415-GNCOEJTC5XWHFNXGT8MP/0018503121_10.jpg</image:loc>
      <image:title>Synaesthetic - How record collections make our identity</image:title>
      <image:caption>GOOD/GRIEF by The Roseline (2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1597352806136-8S7YQMPAAL116K1MWA89/image-asset.jpeg</image:loc>
      <image:title>Synaesthetic - How record collections make our identity</image:title>
      <image:caption>Photo by Jorge Saavedra</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1597353106545-R4TD501AF0RVVSAJFB0Q/alex-iby-KFqRf_sNOC4-unsplash.jpg</image:loc>
      <image:title>Synaesthetic - How record collections make our identity</image:title>
      <image:caption>Photo by Alex Iby</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1597352568143-K8LB2AND6WXJSX2M9IDW/rostyslav-savchyn-E2zvqyY5zUY-unsplash.jpg</image:loc>
      <image:title>Synaesthetic - How record collections make our identity</image:title>
      <image:caption>Photo by Rostyslav Savchyn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1597348180035-5P4YBGVKL5NF5FCMLGRJ/jon-tyson-i0LcODk-V1Q-unsplash.jpg</image:loc>
      <image:title>Synaesthetic - How record collections make our identity</image:title>
      <image:caption>Photo by Jon Tyson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://syneonline.com/synaesthetic/fine-line</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1596824693321-GTM9D9J5ID9OK2LVQV33/Fine+Line</image:loc>
      <image:title>Synaesthetic - Decoding Harry Styles’ &lt;em&gt;Fine Line&lt;/em&gt; Fisheye</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1596828230295-0DHERDOOH5ULXR7PIG5E/6265882720_9fa3ae63b0_k.jpg</image:loc>
      <image:title>Synaesthetic - Decoding Harry Styles’ &lt;em&gt;Fine Line&lt;/em&gt; Fisheye</image:title>
      <image:caption>Nikon 1 V1 with Nikon FC-E9 fisheye converter lens Photo by raneko (cropped)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1596830784317-D2HISTM66QDU5LKT745N/image-asset.jpeg</image:loc>
      <image:title>Synaesthetic - Decoding Harry Styles’ &lt;em&gt;Fine Line&lt;/em&gt; Fisheye</image:title>
      <image:caption>Swiss linguist Ferdinand de Saussure (1857–1913)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1596831581096-6BA7C1N3P6VYKFGZUJD0/Tree.gif</image:loc>
      <image:title>Synaesthetic - Decoding Harry Styles’ &lt;em&gt;Fine Line&lt;/em&gt; Fisheye</image:title>
      <image:caption>Saussure’s semiotic schema</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1596827755879-EREO6TSDCOFRZMLZ7XG0/anika-huizinga-8_xZGSxk4to-unsplash.jpg</image:loc>
      <image:title>Synaesthetic - Decoding Harry Styles’ &lt;em&gt;Fine Line&lt;/em&gt; Fisheye</image:title>
      <image:caption>Photo by Anika Huizinga</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1596827849718-7T0BJWYGABHMQLNTAT02/sergio-souza-Yde5mGdYeEI-unsplash.jpg</image:loc>
      <image:title>Synaesthetic - Decoding Harry Styles’ &lt;em&gt;Fine Line&lt;/em&gt; Fisheye</image:title>
      <image:caption>Photo by sergio souza</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1596832515475-1CWSWCMYZIATKO37F32R/Are_You_Experienced_-_US_cover-edit.jpg</image:loc>
      <image:title>Synaesthetic - Decoding Harry Styles’ &lt;em&gt;Fine Line&lt;/em&gt; Fisheye</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1596832508357-BPEY0T113RUQGZT5PP7C/12184316-6494680727296588.jpg</image:loc>
      <image:title>Synaesthetic - Decoding Harry Styles’ &lt;em&gt;Fine Line&lt;/em&gt; Fisheye</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://syneonline.com/synaesthetic/gaslighter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1596213310491-AN9NKVW8TFBXVYSTNLXK/e8c17b8c823249279b33df328243a947.jpg</image:loc>
      <image:title>Synaesthetic - Mediating The Chicks on &lt;em&gt;Gaslighter&lt;/em&gt;</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1596212835697-XQ83JLT8585T7HJU26RR/marshall-mcluhan.jpg</image:loc>
      <image:title>Synaesthetic - Mediating The Chicks on &lt;em&gt;Gaslighter&lt;/em&gt;</image:title>
      <image:caption>Marshall McLuhan (1911-1980), author of Understanding Media: The Extensions of Man (1964)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1596215231597-FNPW0SOJDP61FSHXC4CC/mbid-786a9207-2c59-48c0-a5d1-1d755bdfb3ae-1604008710.jpg</image:loc>
      <image:title>Synaesthetic - Mediating The Chicks on &lt;em&gt;Gaslighter&lt;/em&gt;</image:title>
      <image:caption>Wide Open Spaces (Columbia, 1998)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1596215000038-3DLDCXTJS9V39ZO59C4R/mbid-c464169f-eec9-3406-9690-5e5667ec091d-6201889696.jpg</image:loc>
      <image:title>Synaesthetic - Mediating The Chicks on &lt;em&gt;Gaslighter&lt;/em&gt;</image:title>
      <image:caption>Fly (Columbia, 1999)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1596222086293-N21QKJB3HVPIFM9FWL0F/MagrittePipe.jpg</image:loc>
      <image:title>Synaesthetic - Mediating The Chicks on &lt;em&gt;Gaslighter&lt;/em&gt;</image:title>
      <image:caption>René Magritte, “The Treachery of Images” (1929)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1596216309268-H5UHAIOLMMBF9TAQKZZ8/mbid-13f0fa81-9e54-3139-9fa3-b1cd2b69d3f9-22061317236.png</image:loc>
      <image:title>Synaesthetic - Mediating The Chicks on &lt;em&gt;Gaslighter&lt;/em&gt;</image:title>
      <image:caption>Home (Columbia, 2002)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1596223286787-JELCHQ97ABXL1PUM0W95/e8c17b8c823249279b33df328243a947.jpg</image:loc>
      <image:title>Synaesthetic - Mediating The Chicks on &lt;em&gt;Gaslighter&lt;/em&gt;</image:title>
      <image:caption>Gaslighter (Columbia, 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1596213445211-4Z2N1QAQ5JRUJZ25YT9R/mbid-eecfa3ae-77b3-468e-acd8-92d887da353c-25588882739.jpg</image:loc>
      <image:title>Synaesthetic - Mediating The Chicks on &lt;em&gt;Gaslighter&lt;/em&gt;</image:title>
      <image:caption>Taking the Long Way (Columbia, 2006)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://syneonline.com/synaesthetic/the-prelude</loc>
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    <lastmod>2020-07-24</lastmod>
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      <image:title>Synaesthetic - Interpreting Album Art: Why you should travel to Pink Planet before listening to Pink Sweat$’s &lt;em&gt;The Prelude&lt;/em&gt;</image:title>
      <image:caption>Pink Sweat$, The Prelude (Atlantic, 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1595605687147-DDMNQGPA06PJ6Y9H1UGU/dewang-gupta-GuJmUBug41Y-unsplash.jpg</image:loc>
      <image:title>Synaesthetic - Interpreting Album Art: Why you should travel to Pink Planet before listening to Pink Sweat$’s &lt;em&gt;The Prelude&lt;/em&gt;</image:title>
      <image:caption>Photo by Dewang Gupta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1595605352745-OK1CWWZLKJ4DOIYC854C/Dc_xAQ7XUAAsjeR.jpg</image:loc>
      <image:title>Synaesthetic - Interpreting Album Art: Why you should travel to Pink Planet before listening to Pink Sweat$’s &lt;em&gt;The Prelude&lt;/em&gt;</image:title>
      <image:caption>Gérard Genette (1930-2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1595615504048-5IY9HG2H8I6DUJ3NXUZ4/annie-spratt-KovxPeamVts-unsplash.jpg</image:loc>
      <image:title>Synaesthetic - Interpreting Album Art: Why you should travel to Pink Planet before listening to Pink Sweat$’s &lt;em&gt;The Prelude&lt;/em&gt;</image:title>
      <image:caption>Photo by Annie Spratt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1595616487784-01OE85XPS54EVSZR3S9R/The-Prelude_PinkSweat%24.jpg</image:loc>
      <image:title>Synaesthetic - Interpreting Album Art: Why you should travel to Pink Planet before listening to Pink Sweat$’s &lt;em&gt;The Prelude&lt;/em&gt;</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1595602841666-IOC2LSQOO2DQGOJG3Q50/mbid-dbdb4e87-741e-4119-8712-3f5b90a957cb-5832580021.jpg</image:loc>
      <image:title>Synaesthetic - Interpreting Album Art: Why you should travel to Pink Planet before listening to Pink Sweat$’s &lt;em&gt;The Prelude&lt;/em&gt;</image:title>
      <image:caption>Usher, 8701 (Arista, 2001)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1595603230275-I3L1BL1HVCGO9K72RTOR/mbid-6fbb35b7-2580-4262-a24a-e0df69480dde-13295252626.jpg</image:loc>
      <image:title>Synaesthetic - Interpreting Album Art: Why you should travel to Pink Planet before listening to Pink Sweat$’s &lt;em&gt;The Prelude&lt;/em&gt;</image:title>
      <image:caption>Trey Songz’s Ready (Atlantic, 2009)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://syneonline.com/synaesthetic/the-phosphorescent-blues</loc>
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    <lastmod>2020-07-17</lastmod>
    <image:image>
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      <image:title>Synaesthetic - &lt;em&gt;The Phosphorescent Blues&lt;/em&gt;, René Magritte, and the End of Nostalgia</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1595006765983-RDIF2EQN484RQA488WHK/PUNCH+BROTHERS+Punch.jpg</image:loc>
      <image:title>Synaesthetic - &lt;em&gt;The Phosphorescent Blues&lt;/em&gt;, René Magritte, and the End of Nostalgia</image:title>
      <image:caption>Punch (Nonesuch, 2007) Photography: Autumn de Wilde Design: Loren Witcher</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1595006813132-9DARMBQTCL7CGBR54IQN/PUNCH+BROTHERS+Antifogmatic.jpg</image:loc>
      <image:title>Synaesthetic - &lt;em&gt;The Phosphorescent Blues&lt;/em&gt;, René Magritte, and the End of Nostalgia</image:title>
      <image:caption>Antifogmatic (Nonesuch, 2010) Art Direction: Evan Gaffney Illustration: Brett Ryder Photography: C. Taylor Crothers</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1595006930156-ITXETUNDIZIDAXB0ZNAP/PUNCH+BROTHERS+Who%27s+Feeling+Young+Now+%28sq%29_0.jpg</image:loc>
      <image:title>Synaesthetic - &lt;em&gt;The Phosphorescent Blues&lt;/em&gt;, René Magritte, and the End of Nostalgia</image:title>
      <image:caption>Who’s Feeling Young Now? (Nonesuch, 2012) Design: Jeri Heiden Photography: Danny Clinch</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1595007291365-ZGUIS8DRPM4VNC7V3DFB/Magritte_TheSonOfMan.jpg</image:loc>
      <image:title>Synaesthetic - &lt;em&gt;The Phosphorescent Blues&lt;/em&gt;, René Magritte, and the End of Nostalgia</image:title>
      <image:caption>René Magritte: “Son of Man” (1964)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1595009119995-KSCOU7KDUJY9466C2GN1/cri_000000298734.jpg</image:loc>
      <image:title>Synaesthetic - &lt;em&gt;The Phosphorescent Blues&lt;/em&gt;, René Magritte, and the End of Nostalgia</image:title>
      <image:caption>Jackson Pollock: “White Light” (1954) (This was, incidentally, the painting featured on Ornette Coleman’s landmark 1961 album Free Jazz)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1595010512086-MGTDG17F1NST47SUSAMR/cri_000000215921.jpg</image:loc>
      <image:title>Synaesthetic - &lt;em&gt;The Phosphorescent Blues&lt;/em&gt;, René Magritte, and the End of Nostalgia</image:title>
      <image:caption>René Magritte: “The Lovers” (1928)</image:caption>
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  </url>
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    <loc>https://syneonline.com/synaesthetic/currents</loc>
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    <lastmod>2020-07-14</lastmod>
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      <image:title>Synaesthetic - How Robert Beatty’s  cover art changes the way we hear &lt;em&gt;Currents&lt;/em&gt;</image:title>
      <image:caption>Robert Beatty on “Pitchfork Unsung” in 2015. he holds his cover for Real Estate’s self-titled album (2009).</image:caption>
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      <image:caption>Vortex shedding in clouds passing Heard Island, in the South Indian Ocean. (NASA)</image:caption>
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    <image:image>
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      <image:title>Synaesthetic - How Robert Beatty’s  cover art changes the way we hear &lt;em&gt;Currents&lt;/em&gt;</image:title>
      <image:caption>Kevin Parker performing with Tame Impala in 2019.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1594405832884-ZVMJ7E0Y0R8UH8OQN7GW/Tales_from_Topographic_Oceans_%28Yes_album%29.jpg</image:loc>
      <image:title>Synaesthetic - How Robert Beatty’s  cover art changes the way we hear &lt;em&gt;Currents&lt;/em&gt;</image:title>
      <image:caption>Yes, Tales from Telegraphic Oceans (1973)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1594405747036-UXCTOT16X9CBPG8H9FYE/Boston_-_Don%27t_Look_Back.jpg</image:loc>
      <image:title>Synaesthetic - How Robert Beatty’s  cover art changes the way we hear &lt;em&gt;Currents&lt;/em&gt;</image:title>
      <image:caption>Boston, Don’t Look Back (1978)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1594405784568-6B7FZEOQ3VD7TQECR2MB/image-asset.jpeg</image:loc>
      <image:title>Synaesthetic - How Robert Beatty’s  cover art changes the way we hear &lt;em&gt;Currents&lt;/em&gt;</image:title>
      <image:caption>Judas Priest, Screaming for Vengeance (1982)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1594404142668-2W9UWXEKK08J267OTZEA/Tame-Impala-Currents-detail.jpg</image:loc>
      <image:title>Synaesthetic - How Robert Beatty’s  cover art changes the way we hear &lt;em&gt;Currents&lt;/em&gt;</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ede5114b8b71f40bdb49cf0/1594382163527-YEN3TE6UXL7CHQI52TGV/Beatty+on+Pitchforktv</image:loc>
      <image:title>Synaesthetic - How Robert Beatty’s  cover art changes the way we hear &lt;em&gt;Currents&lt;/em&gt;</image:title>
      <image:caption>Beatty demonstrates the masked layers in his cover for Damaged Bug’s Cold Hot Plums (2015) on Pitchfork.tv</image:caption>
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  </url>
  <url>
    <loc>https://syneonline.com/synaesthetic/welcome-to-synaesthetic</loc>
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    <lastmod>2020-07-06</lastmod>
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      <image:title>Synaesthetic - Welcome to &lt;em&gt;Synaesthetic&lt;/em&gt;</image:title>
      <image:caption>Thomas Edison and his phonograph, 1878</image:caption>
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      <image:title>Synaesthetic - Welcome to &lt;em&gt;Synaesthetic&lt;/em&gt;</image:title>
      <image:caption>Cover of Smash Song Hits by Rodgers &amp; Hart (Columbia C-11, 1940), the first record to have dedicated cover artwork. Designed by Columbia Records art director Alex Steinweiss.</image:caption>
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      <image:title>Synaesthetic - Welcome to &lt;em&gt;Synaesthetic&lt;/em&gt;</image:title>
      <image:caption>Photo by Miguel Ferreira. Featured record: ZONE 4 by D’Marc Cantu</image:caption>
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